Whenever I seek to critique and refine my writing, I find myself turning to the enthralling performances of Fuji maestro, Saheed Osupa.
His live performances, where he artfully unleashes musical missiles and engages in sharp repartee, provide invaluable inspiration and a robust defense against criticism.
Osupa stands as the epitome of creativity and resilience in my artistic journey.
Osupa’s lyrics are a versatile repertoire that resonates with every occasion imaginable, even from joyful graduation ceremonies across all educational levels to the most solemn events. This unique ability to craft lyrics that speak to diverse experiences is precisely why he was aptly crowned “Oba Orin” (The King of Fuji Music).
His mastery in this domain makes him truly deserving of the title.
My initiation into the world of Ọba Orin began in my early years, specifically in JS1, thanks to my late brother Musibau Alao. A visit to him at Bẹrẹ in Ìbàdàn introduced me to Osupa’s music, and I was instantly captivated by his linguistic finesse.
From that moment, Osupa’s music has been a steadfast companion and favourite.
Osupa’s uniqueness extends beyond his lyrical relevance; it is also evident in his commanding stage presence that leaves audiences spellbound.
Comparing him to other Fuji musicians in terms of musical composition is an exercise in futility. His narrative technique is a distinctive hallmark that sets a high standard for aspiring and up-and-coming Fuji artistes.
Recognising the full spectrum of his uniqueness demands both intelligence and critical thinking, qualities that Osupa effortlessly embodies.
